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dc.contributor.authorSitchbury, Douglas
dc.date.accessioned2010-08-03T22:51:53Z
dc.date.availableNO_RESTRICTIONen_US
dc.date.available2010-08-03T22:51:53Z
dc.date.issued2010
dc.identifier.urihttp://hdl.handle.net/10179/1518
dc.description.abstractThis project investigates the formulation of tragedy over time, its traits and its uses. Particular emphasis is placed on the way in which tragedy becomes symbolized and then used as a tool within Public Relations. Public Relations, as defined within this project, is the process of forming arbitrary associations between an object, narrative, person or idea and another object, narrative, person or idea. Various examples are examined and re-presented through the use of the traditional medium of oil paints to remove them from their original context and function.en_US
dc.language.isoenen_US
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectTragedy in arten_US
dc.subjectOil paintingsen_US
dc.subject.otherFields of Research::410000 The Arts::410200 Visual Arts and Crafts Studies::410202 Fine arts studies (incl. sculpture and painting)en_US
dc.titleEconomies of Tragedyen_US
dc.typeThesisen_US
thesis.degree.grantorMassey Universityen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Fine Arts (M.F.A.)en_US


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