dc.contributor.author | Qian, Xiang | |
dc.date.accessioned | 2012-04-27T01:58:38Z | |
dc.date.available | 2012-04-27T01:58:38Z | |
dc.date.issued | 2012 | |
dc.identifier.uri | http://hdl.handle.net/10179/3243 | |
dc.description.abstract | Many people who are interested in the art of typography want to challenge the conventional understanding of type and express it in a distinctive way. This project examines the aesthetics behind the use of typefaces and typographic composition.
The focus of this study is on investigating how the essence of a physical location can be communicated through the medium of typography and other figurative language. It explores this through a typographic representation of the Chinese city of Shanghai. It will draw upon Shanghai’s history and cultural values, and transform it into a distinctive letterform, then compound it with patterns and colours to illustrate the city through typographic expression. This project will be realised entirely with type, colour, texture, shape and
abstract images. | en |
dc.language.iso | en | en |
dc.publisher | Massey University | en_US |
dc.rights | The Author | en_US |
dc.subject | Graphic design | en |
dc.subject | Typography | en |
dc.subject | Shanghai | en |
dc.title | Neo-Hapai : a typographic representation of Shanghai : a thesis presented in partial fulfilment of the requirements for the Master of Design at the College of Creative Arts, Massey University, Wellington, New Zealand | en |
dc.type | Thesis | en |
thesis.degree.grantor | Massey University | en |
thesis.degree.level | Masters | en |
thesis.degree.name | Master of Design (M.Des.) | en |