dc.contributor.author | Boontoum, Nara-Ratch Poa | |
dc.date.accessioned | 2015-09-21T03:26:47Z | |
dc.date.available | 2015-09-21T03:26:47Z | |
dc.date.issued | 2014 | |
dc.identifier.uri | http://hdl.handle.net/10179/7110 | |
dc.description | PDF scanned from hard copy | en_US |
dc.description.abstract | No abstract. The following is taken from chapter 1:
Photography
is my medium to express identity, my sense of being, feeling and creativity. /liken the course of this
project as crossing oceans, often treacherous and frightening and rarely comfortable, but through this
path, different layers of my identity unfold and reveal different dimensions about myself. The tide is
rough, the night is cold, but I feel the freedom in my soul. This paper is a landing point. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Massey University | en_US |
dc.rights | The Author | en_US |
dc.subject | Colonial photography | en_US |
dc.subject | National identity | en_US |
dc.subject | Thailand | en_US |
dc.subject | Photography | en_US |
dc.title | Notes from a firefly : the reality of Isarn woman in the cross-cultural space : an extended essay presented in partial fulfilment of the requirements for the post-graduate degree of Master of Fine Arts at Massey University, Wellington, Aotearoa | en_US |
dc.type | Thesis | en_US |
thesis.degree.grantor | Massey University | en_US |
thesis.degree.level | Masters | en_US |
thesis.degree.name | Master of Fine Arts (M.F.A.) | en_US |