Taylor, Sarah Elizabeth2013-05-272013-05-272010http://hdl.handle.net/10179/4529This portfolio explores ‘the cinematic aspects of electroacoustic music’ by way of three compositional contexts: acousmatic composition drawing on filmic resources, electroacoustic soundtracks for short films, and the narrative and imagic aspects of archival recordings. Additionally, a research report provides commentary on the aesthetic and methodological aspects of the portfolio.enThe AuthorElectronic musicComputer musicMotion picture musicShort filmsNew Zealand20th centuryAuditory perceptionMusicPhilosophy and aestheticsThe cinematic aspects of electroacoustic music : a thesis submitted to Massey University and Victoria University of Wellington in fulfillment of the requirements for the degree of Master of Music in Composition, New Zealand School of MusicThesisQ112884679https://www.wikidata.org/wiki/Q112884679