Duncan P20226/12/2022Screen (Oxford), 2022, 64 (3), pp. 411 - 4260036-9543https://hdl.handle.net/10179/17938CAUL read and publish agreement 2023411 - 426Towards a natural history of film form: silver salts and the aesthetics of early studio-era Hollywood cinemaJournal article10.1093/screen/hjac041449140Massey_Dark1902 Film, Television and Digital Media