Hoad C2024-11-122024-11-122023-07-09Hoad C. (2023). Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness”. Rock Music Studies. 10. 2. (pp. 119-139).1940-1159https://mro.massey.ac.nz/handle/10179/71977In this article, I explore how nu metal was problematically situated as an “Other” in response to heavy metal’s supposed crisis of identity at the turn of the millennium. Using Limp Bizkit as a central case study, I consider how the fragmented state of metal and market growth of hip hop in the mid 1990s provided the preconditions for nu metal to flourish commercially; how Limp Bizkit were marketed in response to this growth; and finally, how their reception, demise, and eventual reprisal are caught up within heavy metal’s anxieties over generic purity and the racialized terrain of the music of “Others.”.(c) 2023 The Author/sCC BY 4.0https://creativecommons.org/licenses/by/4.0/nu metal1990srock musicwhitenessmasculinityhip hopJournal article10.1080/19401159.2023.22341181940-1167journal-article119-139