Now showing items 1-10 of 11
Latent Room: A photographer's response
(Essay commissioned by curator K. Emma Ng, response to 'Latent Image' exhibition by Caitlin Devoy at Enjoy Public Art Gallery, 2016-08-10)
Kei roto i te whare on housing
(ST PAUL ST Gallery, AUT, 2016-03-10)
Capturing the public imagination: Communicating the cultural significance of submarine internet cables
(SubOptic 2016, 2016-04-28)
Popular terms such as “wireless”, “the cloud”, and “cyberspace” have misled public perceptions of internet infrastructure, belying its physical and geographically-bound reality. This can cause problems for the submarine ...
The value of textile education and industry partnerships
(Taylor & Francis (Routledge), 2016-05-31)
Textile research/industry partnerships have recently gained momentum in New Zealand. This paper makes a preliminary account by focusing on the benefits of the collaboration to Massey University Master of Design postgraduates, ...
Music video and online social media: A case study of the discourse around Japanese imagery in the New Zealand indie scene
(Association of Social Anthropologists of Aotearoa New Zealand, 2016-11-01)
This article offers original insights into the construction of musical meaning through an intensification and bricolage of postmodern discourse as a result of music video as online media. The discussion contributes to ...
(Equinox Publishing, 2016-03-01)
Technostalgia in new recording projects by the 1980s ‘Dunedin Sound’ band The Chills
(Association for the Study of the Art of Record Production, 2016-04-01)
Parametrically-Dense Motion Sensing Devices and Robotic Musical Instruments
(International Computer Music Association, 2016-08-01)
The proliferation and ubiquity of sensor, actuator and microcontroller technology in recent years have propelled contemporary robotic musical instruments (RMIs) and digital music controllers to become more parametrically ...
Access, Place and Australian Live Music