Performing pūrākau : liberating bodies, healing wairua, and reclaiming ancestral wisdom : a thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Psychology at Massey University, Wellington, New Zealand

Loading...
Thumbnail Image
Date
2021
DOI
Open Access Location
Journal Title
Journal ISSN
Volume Title
Publisher
Massey University
Rights
The Author
Abstract
Studies by government agencies and advocacy groups report that Māori women and children are more vulnerable to experiencing family violence, sexual abuse, and incest than Pākehā. They acknowledge colonisation and historical trauma as contributing factors, and call for a systems-focused response to tackling sexual violence. This includes providing access to contextually responsive and culturally appropriate interventions. This study initially aimed to explore traditional Māori understandings of incest and healing from sexual trauma that are embedded in the pūrākau (ancestral story) of Hinetītama/Hinenui Te Pō, and her parents, Hineahuone and Tānemahuta. As it would apply a unique Māori theatre pedagogy called Theatre Marae, the project was then expanded to investigate the utility and potential of this innovative approach, which draws together Māori and non-Māori performance traditions, therapeutic models, Māori language, and customs in a process for creative inquiry. In pursuing these two activities, the resulting thesis comprises three publications. In the first article (chapter 2), I unpack the conceptual framework of Theatre Marae pedagogy as a suitable approach for kaupapa Māori (by Māori, for Māori) arts-based research against the backdrop of growing scholarship in Indigenous research and psychologies. In the second article (chapter 3), I deepen this exploration into Theatre Marae and its core methods within an historical account of the theatre company most associated with the practice, Te Rākau. The third article (chapter 4) builds on the preceding chapters by returning to the initial focus of this study and describing how Theatre Marae was applied in a performance-based analysis of this ancient pūrākau as a narrative of survival and healing. The analysis revealed new themes that highlight the collectivist customs of traditional Māori society as protective factors against the proliferation of sexual violence and incest. When drawn together in this thesis, these articles and contextualising discussion illustrate how Māori ancestral knowledge can inform the development of more culturally responsive therapies for recovery from historic sexual trauma. Furthermore, in presenting Theatre Marae to the realm of kaupapa Māori research, this thesis contributes to an international agenda to decolonise research in ways that are emancipatory, healing, and transformative for Indigenous communities.
Description
Māori women and children are overrepresented in statistics for sexual violence, however, systemic issues in the country’s sexual violence sector means that specialist kaupapa Māori sexual violence services and culturally appropriate therapies are scarce and under-resourced. Ms. Pearse-Otene engaged a kaupapa Māori performance pedagogy called Theatre Marae to explore ancient Māori creation narratives for ancestral attitudes towards incest and sexual harm and the subsequent development of social norms as prevention strategies. The study revealed that traditions that favoured collective child-rearing, elevated the status and sanctity of women, and engaged men as nurturing fathers also worked as protective factors against incest and sexual abuse. Ms. Pearse-Otene’s research provides insights for the development of kaupapa Māori interventions for sexual trauma, as well as recommendations for the use of Māori performance methodologies like Theatre Marae as a decolonising strategy in research.
Specialist kaupapa Māori sexual violence services are scarce and under-resourced. Ms Pearse-Otene explored ancient Māori creation narratives for ancestral attitudes towards incest and the subsequent development of social norms as prevention strategies. Her research provides insights for the development of kaupapa Māori interventions for sexual trauma, and for the use of Māori performance methodologies as a decolonising strategy in research.
Keywords
Citation