Repository logo
    Info Pages
    Content PolicyCopyright & Access InfoDepositing to MRODeposit LicenseDeposit License SummaryFile FormatsTheses FAQDoctoral Thesis Deposit
    Communities & Collections
    All of MRO
  • English
  • العربية
  • বাংলা
  • Català
  • Čeština
  • Deutsch
  • Ελληνικά
  • Español
  • Suomi
  • Français
  • Gàidhlig
  • हिंदी
  • Magyar
  • Italiano
  • Қазақ
  • Latviešu
  • Nederlands
  • Polski
  • Português
  • Português do Brasil
  • Srpski (lat)
  • Српски
  • Svenska
  • Türkçe
  • Yкраї́нська
  • Tiếng Việt
Log In
New user? Click here to register using a personal email and password.Have you forgotten your password?
  1. Home
  2. Browse by Author

Browsing by Author "Fowles, Sam"

Filter results by typing the first few letters
Now showing 1 - 1 of 1
  • Results Per Page
  • Sort Options
  • Loading...
    Thumbnail Image
    Item
    Temporal song-printing : a cathartic stamp in time : the creation of 'After Dark' : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Creative Enterprise in Commercial Music at Massey University, Wellington, New Zealand
    (Massey University, 2022) Fowles, Sam
    Music, like life, is a constantly morphing entity. And as ‘makers’ we are constantly looking ahead for the next song or sound. The main objective of this research is to create my own unique sound utilising the synergy of my intentions and influences. My approach to music making comes from an inner need for self-expression, where I aim to present my inner world as an extension of myself in the form of highly personalised sonic interfaces. Taking shape as a 9-track psychedelic, soul, funk, studio album entitled 'After Dark.'  This research aims to illuminate the task of translating lived experiences into recorded works. Situated in a conceptual framework exploring the philosophical perspectives of catharsis, creativity and musical value in relation to the creation of these works. This album will utilised as a mechanism to connect with a defined demographic. Viewed through an interpretivist paradigm, the creative work was explored through narrative inquiry and utilises narrative reflections to answer the question How do I translate lived experiences into recorded works? Each song on the album represents an abstraction of an experience from my life. These ideas manifest in the form of; lyrical devices, harmonic choices, tempo and rhythmic choices, music production techniques, and structure or form. Supported by musical influences that I drew inspiration from. The result is a cathartic creative output that manifests as a sonic representation of the underlying intention.

Copyright © Massey University  |  DSpace software copyright © 2002-2025 LYRASIS

  • Contact Us
  • Copyright Take Down Request
  • Massey University Privacy Statement
  • Cookie settings
Repository logo COAR Notify