Pacific Research and Policy Centre

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    Kūkū : a re-imagined fangufangu developed through a Kakala Design Framework : a thesis is presented in partial fulfilment of the requirements for the degree of : Doctor of Philosophy in Design, Te Kunenga ki Pūrehuroa, Ngā Pae Mahutonga, Pōneke, Aotearoa | Massey University, School of Design, Wellington, New Zealand. EMBARGOED until 19 December 2025.
    (Massey University, 2024-09-23) Kaulamatoa, Rachael
    The fangufangu (nose flute) is a Tongan musical instrument that traces back hundreds of years. Each fangufangu possesses unique physical characteristics, contributing to its distinct sound. Highlighting its historical and cultural significance, one customary use was awakening nobility from slumber. Although rare today, practices of making and performing the fangufangu have been revitalized by Tongan communities in recent years. However, there is limited research on the fangufangu, particularly from a Tongan perspective. This practice-led creative research develops and applies a Kakala Design Framework to holistically and collaboratively explore possibilities of the fangufangu for modern musicians of the Tongan diaspora. The culmination of this research is embodied in Kūkū, a re-imagined fangufangu that enhances specific musical, tangible and visual aesthetics by harmoniously weaving notions of past, present and future. Through an analogue design approach, primary elements of form and material contribute towards enhancing instrument playability and sonic versatility to accommodate use across diverse musical environments and playing styles. Guided by an Indigenised industrial design process predicated on Tongan world-views and values, this exegesis reflects on the collaborative development of Kūkū with Tongan fangufangu practitioners.
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    Navigating the values of Siapo: Through identity, Le Va and textile design: : a thesis presented in partial fulfilment of the requirements for the degree of M.Des. at Massey University, New Zealand
    (Massey University, 2014) Withers, Sonya Elspeth
    Introduction: Growing up as a child of mixed race, I was never aware of the major influences my ethnic identity would play upon my existence as a designer today Looking back now I have seen how important the teachings of my elders and Samoan relatives have become in providing me with a sense of respect for tradition, Samoan culture and faith. Yet, I am always reminded of my European and Scottish heritage when encountering differences. From the experiences I have attained through my involvement in the Pasifika Arts community, my professional role in high-end menswear, and a daughter to a father of European Scottish heritage, I have begun to question where these values around tradition and culture will lie in the future. The interconnected culture of Siapo has been a prominent medium in navigating this journey. About this Exegesis This exegesis is constructed through five main parts and a progressive conclusion. Each part consists of a short film and supporting text as an attempt to provide a glimpse in to the experiences and context gained throughout the project. It should also be noted that the use of Talanoa has been a prominent research methodology throughout this journey ( 1) ( 1) Talanoa - a tong an term meaning "a personal encounter where people story their issues, their realities and aspirations" (Vaioleti, 1999-2003). Several talanoa with Rev. S.L. Vaioleti, Head of the Church of Tonga, USA, in Palo Alto, Oakland, San Francisco.