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Start date: 2024Subject: search.filters.subject.humour

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    Mitigating impacts of disaster through community resilience : whakawhanaungatanga vs. zombies : an exegesis presented in partial fulfilment of the requirements for the degree of Masters of Design at Massey University, Wellington, New Zealand
    (Massey University, 2025) Koedijk, Paige
    This research contributes to the field of disaster risk reduction by utilising visual storytelling to emphasise the critical role of resilient communities in mitigating the impacts of climate-accelerated disasters, which disproportionately affect vulnerable populations. The Peninsula, a fictional pānui, explores the mātauranga Māori principle of whakawhanaungatanga through the depiction of ordinary members from the Miramar Peninsula community in tongue-in-cheek survival situations during an ongoing zombie catastrophe. Leveraging Wellingtonians’ appreciation for b-horror/humour storytelling seen in productions such as What We Do in the Shadows and Wellington Paranormal, the use of humour and the spectacle of a zombie context is an engaging narrative experience for readers to consider their contributions within their community in an emergency. Some social change campaigns have gained viral levels of success through the use of evocative visuals and narratives to resonate with the public, as seen in Aotearoa’s COVID-19 infographics and the CDC’s 2011 zombie-themed hurricane information. The zombie as a narrative device functions as a versatile symbol for political or socio-economic commentary, serving in this research as a “trojan-horse” for conveying emergency management information with a community focus. The social collaboration illustrated in The Peninsula mirrors the real world advantage of community resilience throughout the phases of an emergency. The design output is explored through affective design and developed through iterative cycles of “inquiry by design” methodologies and implementing community-based social marketing strategies.
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    ‘I am in Great Pain, Please Help Me’: Nihilism, Humour, and Rick and Morty
    (SAGE Publications, 2024-11-20) Holm N; Donian J
    One of Cartoon Network’s most successful shows ever, Rick and Morty (2013–present) has established a cult following for its blend of dark humour and existential themes. However, the show is more than just a representation of popular nihilism; through its sustained engagement with nihilistic themes, it also demonstrates how nihilism can be embraced, exhausted, and potentially eventually surpassed in a popular context. Drawing on Richard Hoggart’s model of “social hermeneutics,” this article analyses key episodes as a means to think through the broader trajectory of nihilism as an influential element of twenty-first century popular culture.