Massey Documents by Type

Permanent URI for this communityhttps://mro.massey.ac.nz/handle/10179/294

Browse

Subject: search.filters.subject.1901 Art Theory and Criticism

Search Results

Now showing 1 - 5 of 5
  • Thumbnail Image
    Item
  • Thumbnail Image
    Item
    On duration
    (Taylor & Francis (Routledge), 29/10/2018) Preston J; O'Hara W
  • Thumbnail Image
    Item
    Representation and transparency in artistic astronomical photographs
    (Contemporary Aesthetics, 2019) Chadwick S
  • Thumbnail Image
    Item
    The value of textile education and industry partnerships
    (Taylor & Francis (Routledge), 31/05/2016) Heffernan S; Kane, F
    Textile research/industry partnerships have recently gained momentum in New Zealand. This paper makes a preliminary account by focusing on the benefits of the collaboration to Massey University Master of Design postgraduates, companies, and the academics. The students work on a significant problem faced by a company to rejuvenate business or to produce solutions for a particular or a set of problems. The company gains access to new university research and discoveries and faculty members complement their own academic research by securing funds for graduate students. During a one-year period, the students receive a government-funded scholarship and industry mentoring. The aim is to steer success across the textile value chain from economic and environmental perspectives while balancing academic requirements. Typically, the industry-centered design is developed using iterative processes with a strong emphasis on the role of technology, often requiring the acquirement of new software skills to design with industry equipment. The model establishes best practice to share resources and experiences within the thrust of daily industrial life and the demands of a Master of Design degree. This paper aims to gage the benefits of, and challenges in a range of wool-centered collaborative projects from yarn development to sustainable dye to bedding product development to the revitalization of a weaving mill innovative waste to blue sky solutions for a tannery. The research of novel ideas and process innovation leads to enhanced job placement opportunity and new exports.
  • Thumbnail Image
    Item
    ‘Like a Japanese Christmas Card’: Line in Poetry and Art
    (University of Canberra: Centre for Creative & Cultural Research, 12/06/2018) Ross J; Bullock, O
    A line can be seen in two ways: as a break or a harmony. In poetry, this manifests as the contrast between a stop and an invitation to continuance: a heroic couplet or the enjambments of blank verse. A series of analogies are made here between the aural and visual arts – from sources such as a 1998 interview with New Zealand poet Graham Lindsay, William Hogarth’s 1753 treatise The Analysis of Beauty, and Louise Bourgeois’s ‘Arch of Hysteria’ (1993), as well as my own novel Nights with Giordano Bruno (2000) – to understand better the implications of these two ways of characterising a line. On the one hand, there is the static predictability of a safe tradition, on the other, the danger of the ‘flame of fire’ which Hogarth maintains to be the best way to imagine his own serpentine ‘line of beauty.’ While both aspects are undoubtedly necessary, it is argued that the preference must always be given – for all its dangers and the certainty of pain it brings with us – to (in Freudian terms) the Pleasure Principle over the obsessive-compulsive stasis of his Death Principle.