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    Mooncake packaging design : an exploration of Mid-Autumn Festival symbolism and minimalist design : a thesis presented in partial fulfillment of the requirements for a Master in Design at Massey University, Wellington, New Zealand
    (Massey University, 2019) Cui, Jinyan
    In this Master of Design thesis project, I explore the excessive packaging of Chinese Mid-Autumn Festival mooncakes and the positive impact of minimalist design on the current packaging trends. In particular, I explore how minimalist design can be subtly applied to mooncake gift-box packaging so as to reflect the traditional values associated with the Mid-Autumn Festival while also offering today’s young Chinese a new approach to this symbolic packaging. I explain, through my design exploration of the legends and customs associated with this ancient and notable festival as well as the visual symbolism, colors, materials, and forms used in mooncake packaging, how this new approach draws inspiration from Japanese minimalist design and traditional Chinese motifs. Through this packaging design exploration, I hope to offer an alternative that maintains the integrity of this festival and its ancient customs.
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    Enriching spaces : a methodology for enhancing interaction between the user and their spaces in an Indian context : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design, Massey University, College of Creative Arts, Wellington, New Zealand
    (Massey University, 2018) Verma, Vrinda
    The longing for a personal space that serves as a sanctuary correlates with the current lack of engagement between the users and their spaces in the urban living of India (IES, 2018). Currently upper-middle-class families in India engage in the philosophy of materialism with their luxurious way of living to create this sense of retreat in order to be comfortable and satisfied (Hudders & Pandelaere, 2012). Drawing on minimalist theory to appertain a heightened value, this research introduces an amalgamation of Indian luxury strongly influenced by the Mughal dynasty with usability to enhance the connectivity of the user with their spaces. This practice led research project was derived from an autoethnographic case study of my family in India. Analysing the existing spaces and objects to develop a made to order site-specific active object, utilising the precision in craft and rich materials from Indian luxury with simplicity and clarity regarding minimalism through design thinking. To actualise this, the scope of innovation on an existing object has been identified from the case study through methods of spatial and ritual analysis, i.e., how the presence of an active object enhances or restricts the interaction between the user and their spaces. Furthermore, the research findings can be offered as a service to accommodate personal needs of India’s upper-middle-class families.
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    Becoming-interior : toward a nondual philosophy of design for dwelling-in-the-world : a thesis presented in partial fulfillment of the requirements for the degree of Master of Design at Massey University
    (Massey University, 2005) Archer, Jennifer
    Martin Heidegger suggests that dwelling is an act of inhabitation, which engenders a becoming-interior of the world. The site of this dwelling is not confined to architecture, but occurs in the space between earth and sky: the world. This work seeks to investigate the implications of this claim on the role of interior design. It proposes that, in order to formulate an approach to design that aims to facilitate a Heideggerian dwelling, the binary oppositions of inside and outside, nature and culture, self and world, must be re-examined. The connections between architectural minimalism and Eastern aesthetics that are hinted at in contemporary New Zealand lifestyle magazines such as urbis provide a gateway to an investigation of dwelling-design that moves beyond the conflicts of a world divided by Cartesian dualism. The space between East and West operates as the field of inquiry within which this work locates a comparative study of nondual philosophies pertaining to dwelling as an interrelation of self and world. Nondual concepts found in the writings of Elizabeth Grosz, and Gilles Deleuze and Felix Guattari, are subjected to a reading that suggests links with such Eastern philosophical concepts as ma (the space of the in-between), yin and yang as an analogy of correlativity and becoming-other, and dao and de (field and focus) as a conceptual model for the interrelation of the natural world and the self. Through the generation of a nondual core philosophy, the work suggests that the "nothingness" of minimalism may be reconceptualised as a betweenness, with the potential to act as an intermediary space between the inhabitant and nature. The nature of this mediation as the stimulation of resonance is explored in relation to the depiction of the natural world in art, and subsequently applied to the architectural threshold. Architecture is posited as an instrument of facilitation - the means by which the potential for dwelling may be manifested in a becoming-interior of the world.