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dc.contributor.authorFebvre-Richards, ERen_US
dc.contributor.authorMerlino, Den_US
dc.contributor.otherHEMI MACGREGOR & MARA TK CLAIRE HUGHES & ROY PHILIPS Loughlan Prior, Jeremy Brick, Max Patté and Chris Gendell BOB JAHNKE STACEY TANGAERE & LUKE MCCONNELL JAMIE BOYNTON MARCUS MCSHANE STUDIO TOER STUDIO IREGULAR ANTHONY GENET NATALIE MCLEOD & MICHAEL JONES CAMERON MAY RUTH STANTON TANYA MARRIOTT & GARRY BUCKLEY JOHANNA SANDERS CHRISTOPHER WELCH & MAKERS FABRICATION TOM TOM PRODUCTIONS SHADES ARCADE SUE PRESCOTT OCUBO TESSA AND MIKE REUBEN JELLEYMAN TECHNICAL EARTH RAYZORDOLL CRAIG NEILSON LISA MUNNELLY AND ANGUS DONALDSON MARK ANTONY SMITH ERICA SKLENARS ANITA DYKES JOSHUA LEWIS & SAM LEWISen_US
dc.contributor.otherLux Light Festival Panelen_US
dc.coverage.spatial[Single channel video with 2 audio tracks] At LUX International Light Festival, Wellington New Zealand. 12 - 21 May 2017en_US
dc.date.available2017-05-12en_US
dc.identifierhttps://www.lux.org.nz/en_US
dc.identifierhttps://www.lux.org.nz/diptychsouthen_US
dc.identifier.citationLUX Light Festival, 2017en_US
dc.description.abstractDiptych South is an audiovisual project that explores the physiological effects of the rhythms of colour and music in relation to memory and place. It questions the nature of our memory and connection to place by playing with repetition and difference. The two video pieces for the work are almost identical and are inspired by Febvre-Richards’ regular ‘journeying’ in the New Zealand forest. The repetition of such journeys – the memories and anticipations, the expectation of familiar sensorial experiences – provides rich inspiration for mark making on paper. There is a potentially static nature to this representation, which may convey a momentary sense of place but cannot capture the experiential journey to and through the forest. This problem is ameliorated by the reworking into video form. It is here that the temporal interplay between past as memory plays with the present as experience and the future as anticipation. However, not every experience is identical. To explore the nature of the difference of these temporal experiences, Merlino has provided two contrasting sound pieces that are not juxtaposed with the video work, but rather attempt to show how the experiential sameness of the video actually inspires difference and uniqueness. It is the sameness of our sense of place that inspires a variety of affective responses, thus dispelling the idea that our experiences, when tinged with memory and anticipation, must always remain the same.en_US
dc.relation.urihttps://vimeo.com/218082554en_US
dc.subjectmemory physiological, rhythm, coloren_US
dc.titleDiptych Southen_US
dc.typeExhibition
dc.date.finish-date2017-05-21en_US
dc.date.start-date2017-05-12en_US
dc.identifier.elements-id369257
dc.relation.isPartOfLUX Light Festivalen_US
pubs.organisational-group/Massey University
pubs.organisational-group/Massey University/College of Creative Arts
pubs.organisational-group/Massey University/College of Creative Arts/School of Art
dc.identifier.harvestedMassey_Dark
pubs.notesNot knownen_US
dc.publisher.urihttps://www.lux.org.nz/en_US


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