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dc.contributor.authorEdmunds, Hannah
dc.date.accessioned2010-04-29T21:12:53Z
dc.date.availableNO_RESTRICTIONen_US
dc.date.available2010-04-29T21:12:53Z
dc.date.issued2010
dc.identifier.urihttp://hdl.handle.net/10179/1271
dc.description.abstractThrough the use of masculinity as a visual language this research aims to unravel the divide between the role of the act and the acted. French actor Julien Boisselier operates as the male manifestation of the actor in question and functions on multiple levels of performance, both as male and as an actor. Boisseliers depictions of major, medium and minor acted characters offer another level to the performance variable. The aim to highlight the visible triggers of a ‘pure performance’ (a performance where the actor may slip or falter out of acted character and into default human performance) as shown through the choreography of his physiognomy is the experience underpinning this thesis.en_US
dc.language.isoenen_US
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectFrench cinemaen_US
dc.subjectMale physiognomyen_US
dc.subjectMasculinity in moviesen_US
dc.subject.otherFields of Research::410000 The Arts::410300 Cinema, Electronic Arts and Media Studies::410302 Cinema studiesen_US
dc.titlePerversion of the reel : a thesis presented in partial fulfilment of the requirements for the completion of Master of Fine Arts at Massey University, Wellington, New Zealanden_US
dc.typeThesisen_US
thesis.degree.grantorMassey Universityen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Fine Arts (M.F.A.)en_US


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