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dc.contributor.authorSlade, Thomas
dc.date.accessioned2018-04-22T20:35:17Z
dc.date.available2018-04-22T20:35:17Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/10179/13155
dc.description.abstractWorking with photography to alter our perception of time, this project examines social interaction in a city environment. I have adopted the unobtrusive role of the flaneur and observed how social norms orchestrate social behaviour in public spaces. I chose to use constructed photography and I selected and recreated observed moments. I made images that I hope come alive within the expanded time of a still photograph. Through these reconstructions of observed behaviour I set out to question the capacity of photography to amplify reality and demonstrate how a fictional image might reach closer to a lived experience. I focussed on overlooked moments to produce an expansion of time that allows the viewer to question the ordinary values that shape social behaviours in the everyday, providing an opportunity to recognise the complexity of a lived experience as part of everyday actions.en_US
dc.language.isoenen_US
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectThomas Sladeen_US
dc.subjectCriticism and interpretationen_US
dc.subjectStreet photographyen_US
dc.subjectPhotography, Artisticen_US
dc.subjectSocial interactionen_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.titleTranslating a silent language : photographing social interaction : a thesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealanden_US
dc.typeThesisen_US
thesis.degree.disciplineFine Artsen_US
thesis.degree.grantorMassey Universityen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Fine Arts (MFA)en_US


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