• Login
    View Item 
    •   Home
    • Massey Documents by Type
    • Theses and Dissertations
    • View Item
    •   Home
    • Massey Documents by Type
    • Theses and Dissertations
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Interfield antagonisms : an examination of the New Zealand journalistic and visual arts fields in the case of the mainstream media coverage of et al. and the 2005 Venice Biennale : a thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Communication and Journalism at Massey University, Wellington, New Zealand

    Icon
    View/Open Full Text
    02_whole.pdf (5.564Mb)
    01_front.pdf (124.9Kb)
    Export to EndNote
    Abstract
    In June 2004, when Creative New Zealand announced that the artist collective et al. had been selected as New Zealand’s representative at the 2005 Venice Biennale, much of the country’s mainstream media engaged in a critical representation of the case that resulted in unprecedented national attention to a visual art news story. Using Bourdieu’s field theory as its primary analytical framework, this thesis focuses on the coverage of et al. during the reporting period of June 2004 to December 2005 by a selected sample of mainstream New Zealand media outlets, including broadcast television and major metropolitan newspapers, to examine the antagonisms that structured the most high profile journalistic field representations of the controversy. This study of the interfield relations of the journalistic and visual arts fields is primarily an examination of journalism’s power. This power derives from the journalistic field’s domination as a centralised mediator of a range of information and discourses to a general public, including the specialized knowledge of particular fields like the visual arts. Highlighting the capacity of the journalistic field to symbolically dominate other fields, this study examines how this power is reproduced through symbolic violent forms of representation and considers how the field’s increasingly commercial (heteronomous) concerns constrain other fields, in this case, the visual arts field. Analysis of the case highlights the discursive logic of the New Zealand journalistic field’s dominant narrative demonstrating values aligned with the populist sensibilities of an imagined mainstream public and represented through common-sense appeals such as those concerning political accountability, the funding cost to taxpayers, the representation of a national identity and an anti-intellectualist stance opposed to the elitist and even “bizarre” values of the artists and their associates. Applying Bourdieu’s approach to understanding this interfield relationship requires a consideration of the structure of the fields’ social spaces in terms of their agents (the artists, journalists, politicians and other field participants), their products (textual and visual) and their consumers (readers and viewers) and to describe them, not in terms of causality, but in relation to each other and to their social, cultural and economic conditions. To examine various aspects of the fields’ relational dynamics, this study employs the investigative approaches of content analysis and surveys and draws on different textual analytical methods, including critical discourse analysis and aspects of conversation analysis, to analyse different print media and television representations of the case. This study’s analysis shows that a marketplace logic governed the media’s construction of the et al. case with an emphasis on discursive appeals aligned to the populist sensibilities of an imagined mainstream readership. Furthermore, this thesis will show that an interfield analysis provides a more useful interpretive framework for understanding media power than a singular focus on internal journalistic field structures.
    Date
    2013
    Author
    Bernanke, Judith Lee
    Rights
    The Author
    Publisher
    Massey University
    URI
    http://hdl.handle.net/10179/4582
    Collections
    • Theses and Dissertations
    Metadata
    Show full item record

    Copyright © Massey University
    Contact Us | Send Feedback | Copyright Take Down Request | Massey University Privacy Statement
    DSpace software copyright © Duraspace
    v5.7-2020.1
     

     

    Tweets by @Massey_Research
    Information PagesContent PolicyDepositing content to MROCopyright and Access InformationDeposit LicenseDeposit License SummaryTheses FAQFile FormatsDoctoral Thesis Deposit

    Browse

    All of MROCommunities & CollectionsBy Issue DateAuthorsTitlesSubjectsThis CollectionBy Issue DateAuthorsTitlesSubjects

    My Account

    LoginRegister

    Statistics

    View Usage Statistics

    Copyright © Massey University
    Contact Us | Send Feedback | Copyright Take Down Request | Massey University Privacy Statement
    DSpace software copyright © Duraspace
    v5.7-2020.1