Merata and Whakapapa: expanding notions of (auto)biography through Māori lenses

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dc.citation.issue25
dc.citation.volume3
dc.contributor.authorFrey A
dc.contributor.authorVilanova Miranda De Oliveira G
dc.date.accessioned2022-12-09T01:43:03Z
dc.date.available2022-11-17
dc.date.available2022-12-09T01:43:03Z
dc.date.issued2022-11-17
dc.description.abstractThrough the documentary Merata: How Mum Decolonized the Screen (Mita, 2018), this article discusses how Māori cultural perspectives expand Western notions of (auto) biography. By interpreting the film through a Māori whakapapa lens (a non anthropocentric genealogy), the article demonstrates how the (auto)biographical documentary about Merata displays, simultaneously, a personal narrative and a history of Māori resistence. The article includes the authors’ autobiographical reflections as migrants in Aotearoa New Zealand.
dc.description.confidentialfalse
dc.identifier.citationEsferas, 2022, 3 (25)
dc.identifier.doi10.31501/esf.v1i25
dc.identifier.elements-id458339
dc.identifier.harvestedMassey_Dark
dc.publisherUniversidade Católica de Brasília
dc.relation.isPartOfEsferas
dc.rightsCC BY-NC 4.0
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.titleMerata and Whakapapa: expanding notions of (auto)biography through Māori lenses
dc.typeJournal article
pubs.notesNot known
pubs.organisational-group/Massey University
pubs.organisational-group/Massey University/College of Humanities and Social Sciences
pubs.organisational-group/Massey University/College of Humanities and Social Sciences/Institute of Education
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