An examination of the chance elements in Witold Lutosławski's music, with particular attention to its function as a model for compositional practice : a thesis and portfolio presented in fulfillment of the requirements for the degree of M.Mus. in Composition at the New Zealand School of Music, Wellington, New Zealand
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Date
2012
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Massey University
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Abstract
This thesis studies the use of aleatory techniques in Witold Lutoslawski’s music and
the issues that arise when using aleatoricism, a branch of textural composition that has
room for exploration. I focused my study on three of Lutoslawski’s major works,
analysing his approach to aleatoricism, form, and macro- and micro-rhythm. I wrote
three works for the portfolio component. My approach to aleatoricism differed in each
work. Through studying Lutoslawski and my own composition, I came across
practical issues in creating the score, issues with performers, and compositional
problems. However, once these issues were worked though, aleatoricism is a exciting
compositional device that is not yet tired.
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Keywords
Witold Lutosławski, Criticism and interpretation, Aleatory music, History and criticism, Composition (Music)