‘Through hybrid eyes : empathetic entanglement as a lens for human to animal metamorphosis in Jeff VanderMeer’s Annihilation’ and ‘Becoming Amphibian’ : a thesis presented in partial fulfilment of the requirements for the degree of Masters in Creative Writing at Massey University, Manawatū, New Zealand. EMBARGOED until 10th November 2027

Abstract

This thesis comprises two sections: a 13,000-word critical exegesis of Annihilation (2014), a novel by Jeff VanderMeer, and a 27,000-word creative excerpt from an original speculative horror novella, Becoming Amphibian. In the critical portion of this thesis, I conduct a close reading of Jeff VanderMeer’s Annihilation in which I ask, how does empathetic entanglement provide a lens through which to look at human to animal metamorphosis in fiction? I investigate the human-animal metamorphosis of the unnamed biologist protagonist in Annihilation, particularly considering how her metamorphosis transforms the biologist’s perception of the nonhuman world, her relationships with nonhuman animals, and the benefits and challenges of expressing her new nonhuman abilities and agency. I argue that the biologist’s metamorphosis is an embodiment of philosopher Lori Gruen’s concept of ‘empathetic entanglement’ – a form of human-nonhuman cohabitation where human and nonhuman agency are valued more equally. I assert that the biologist’s unique Nagelian hybrid view of the world can be used as a lens to envision this empathetic entanglement. I also draw on ecocritical researcher Jack Dudley’s idea that actively embracing the trauma of transformation towards ecocentric relationships with animals is ultimately beneficial, and preferable to passively enduring Earth’s slow apocalypse. I further argue that VanderMeer’s fictional pristine ecosystem Area X – in which the bulk of Annihilation is set – could be read as a representation of ecofeminist theorist Donna Haraway’s Chthulucene, her suggested alternative to the current human-centred Anthropocene era. The creative portion of my thesis is an excerpt of an original speculative horror fiction novella called Becoming Amphibian. The narrative is centred around a human protagonist’s metamorphosis into an amphibian, and the metamorphosis of a mid-range clothes shop in the Wellington central business district into a swampland. My story picks up on similar contemporary animal studies research that is present in Jeff VanderMeer’s Annihilation – in particular, a push back against the human gaze; the value of nonhuman animal agency and behaviours in fictional depictions; and human-nonhuman entanglement. Becoming Amphibian also explores interspecies cooperation, as outlined in research by Donna Haraway, and Gilles Deleuze and Félix Guattari.