Welcome to the real world : a guide to effective implementation of self service : a thesis presented in partial fulfilment of the requirements for the degree of Masters in Fine Arts at Massey University, Wellington, New Zealand

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dc.contributor.authorPointon, Elisabeth
dc.date.accessioned2018-05-08T21:57:20Z
dc.date.available2018-05-08T21:57:20Z
dc.date.issued2017
dc.description.abstractUtilising international artists Marcus Coates, Mierle Laderman Ukeles, and Martin Creed as reference models, this exegesis discusses a range of recent text, video, and relational works by Elisabeth Pointon. Under the guise of ‘double agent’ - defined in as having a day job (at a luxury car dealership) - that feeds into her art practice, this exegesis investigates how shared spaces are becoming sites for communal isolation. In addition, it considers the wider implications of having a social practice to champion artistic spirit into the work environment, in an attempt to redefine the conventional hierarchies of corporate language, and the power attributed to it.en_US
dc.identifier.urihttp://hdl.handle.net/10179/13338
dc.identifier.wikidataQ112934705
dc.identifier.wikidata-urihttps://www.wikidata.org/wiki/Q112934705
dc.language.isoenen_US
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectElisabeth Pointonen_US
dc.subjectCriticism and interpretationen_US
dc.subjectPublic spaces in arten_US
dc.subjectWork environment in arten_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.titleWelcome to the real world : a guide to effective implementation of self service : a thesis presented in partial fulfilment of the requirements for the degree of Masters in Fine Arts at Massey University, Wellington, New Zealanden_US
dc.typeThesisen_US
massey.contributor.authorPointon, Elisabeth
thesis.degree.disciplineFine Artsen_US
thesis.degree.grantorMassey Universityen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Fine Arts (MFA)en_US
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