Indifferent attitude : the readymade, the tableau, and the photographic medium : a [i.e. an] exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand

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dc.contributor.authorWaugh, Shaun
dc.date.accessioned2014-05-07T23:21:36Z
dc.date.available2014-05-07T23:21:36Z
dc.date.issued2012
dc.description.abstractThis thesis considers the notion of the ‘pictorial’. This sits in opposition to conceptual art’s more deliberate, rationalised, and theoretical working methods. My aim is to explore a balance through the combination of both ‘pictorial’ and ‘conceptual’ strategies. The studio submission Indifferent Attitude uses subtle shifts in production techniques to present a fractured suite of photographic works. In so doing, it plays with the convention of photographic practice and resists any requirement to provide a clear sense of limits.en
dc.identifier.urihttp://hdl.handle.net/10179/5339
dc.language.isoenen
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectArtistic photographyen
dc.titleIndifferent attitude : the readymade, the tableau, and the photographic medium : a [i.e. an] exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealanden
dc.typeThesisen
massey.contributor.authorWaugh, Shaunen
thesis.degree.grantorMassey Universityen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Fine Arts (M.F.A.)en
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