Reducing and removing barriers to spatial audio : applications of capital as a critical framework to promote inclusion in spatial audio : a thesis submitted to Massey University in partial fulfilment of the requirements for the degree of Doctorate of Philosophy in Music at Massey University, Wellington, New Zealand
| dc.confidential | Embargo : No | en_US |
| dc.contributor.advisor | Wilson, Oli | |
| dc.contributor.author | Austin-Stewart, Jesse | |
| dc.date.accessioned | 2022-10-27T05:09:20Z | |
| dc.date.accessioned | 2022-12-21T00:51:55Z | |
| dc.date.available | 2022-10-27T05:09:20Z | |
| dc.date.available | 2022-12-21T00:51:55Z | |
| dc.date.issued | 2022 | |
| dc.description.abstract | The research within this thesis aims to address the question of whether barriers of capital to the field of spatial audio can be reduced or removed. Spatial audio is the musical utilization of space, where spatialization is the salient feature of the musical work. As a field, it primarily exists within academic and art institutions. Because of this, there are numerous barriers that prohibit people from engaging with the field. These barriers include significant technical requirements, the need for education, the expense of large spatial audio systems, amongst others. These barriers mean that those who are excluded have little to no pathway to engage with the field. This thesis explores the barriers in spatial audio through the lens of capital. Viewed as one’s level of resource, a lack of economic, social, symbolic, cultural, and physical capital can exclude many from engaging with spatial audio. The research within this thesis identifies barriers of capital that exist within the field through qualitative and quantitative survey analysis as well as literature review. The identified barriers are then addressed through practice-led and practice-based research with the creation of new spatial audio works and compositional strategies, alongside user surveys to ascertain the efficacy of the research. | en_US |
| dc.identifier.uri | http://hdl.handle.net/10179/17904 | |
| dc.publisher | Massey University | en_US |
| dc.rights | The Author | en_US |
| dc.subject | Sound | en |
| dc.subject | Recording and reproducing | en |
| dc.subject | Economic aspects | en |
| dc.subject | Social aspects | en |
| dc.subject | Stereophonic sound systems | en |
| dc.subject | Surround-sound systems | en |
| dc.subject.anzsrc | 360305 Music technology and recording | en |
| dc.title | Reducing and removing barriers to spatial audio : applications of capital as a critical framework to promote inclusion in spatial audio : a thesis submitted to Massey University in partial fulfilment of the requirements for the degree of Doctorate of Philosophy in Music at Massey University, Wellington, New Zealand | en_US |
| dc.type | Thesis | en_US |
| massey.contributor.author | Austin-Stewart, Jesse | en_US |
| thesis.degree.discipline | Music | en_US |
| thesis.degree.grantor | Massey University | en_US |
| thesis.degree.level | Doctoral | en_US |
| thesis.degree.name | Doctor of Philosophy | en_US |