Taoism and creative practice : the creative principles of Taoist philosophy and the practice of abstract painting : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design at Massey University, Wellington, New Zealand
| dc.contributor.author | Kan, Tamara Yin | |
| dc.date.accessioned | 2014-06-27T03:56:01Z | |
| dc.date.available | 2014-06-27T03:56:01Z | |
| dc.date.issued | 2014 | |
| dc.description.abstract | This study identifies creative principles within the Taoist philosophy and examines instances where these principles have influenced historical and contemporary abstract painting practices. It also explores ways in which these principles may influence changes within a personal creative practice. The creation of painted abstract interpretations of the chapters of the I Ching provides a context for exploring the relationships between these principles and the development of a particular creative process. | en_US |
| dc.identifier.uri | http://hdl.handle.net/10179/5498 | |
| dc.language.iso | en | en_US |
| dc.publisher | Massey University | en_US |
| dc.rights | The Author | en_US |
| dc.subject | Abstract painting | en_US |
| dc.subject | Taoist art influences | en_US |
| dc.subject | Creativity | en_US |
| dc.subject | Creative process | en_US |
| dc.subject | I Ching | en_US |
| dc.title | Taoism and creative practice : the creative principles of Taoist philosophy and the practice of abstract painting : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design at Massey University, Wellington, New Zealand | en_US |
| dc.type | Thesis | en_US |
| massey.contributor.author | Kan, Tamara Yin | en_US |
| thesis.degree.grantor | Massey University | en_US |
| thesis.degree.level | Masters | en_US |
| thesis.degree.name | Master of Design (M.Des.) | en_US |
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