Still, the kōwhai grows : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand

dc.contributor.authorMcIntosh, Dani
dc.date.accessioned2023-08-03T23:51:10Z
dc.date.available2023-08-03T23:51:10Z
dc.date.issued2023
dc.description.abstractThis exegesis discusses moving image, installation and poetic prose. Soft afternoon (2021), What we do (2021), Return (2022), and A wave that moves out (2022) are examined in relation to Pākehātanga and colonial history. Within these frameworks, the passage of time, environmental agency, and collaboration widen considerations about the complexities of living and making art in Aotearoa. My practice and this exegesis seek answers to a question inspired by Moana Jackson: how will Pākehā find the comfort of a place to stand? Slow-motion moving images and long-take filming are explored in relation to the emotional tenors I am searching for in life. The works explored in this exegesis seek to open space for conversation, humour, melancholy and hope.en
dc.identifier.urihttp://hdl.handle.net/10179/19671
dc.language.isoenen
dc.publisherMassey Universityen
dc.rightsThe Authoren
dc.subject.anzsrc360604 Photography, video and lens-based practiceen
dc.titleStill, the kōwhai grows : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealanden
dc.typeThesisen
massey.contributor.authorMcIntosh, Dani
thesis.degree.disciplineFine Artsen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Fine Arts (MFA)en

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