The epitome of an oxymoronic endeavour : collaborative performative photography between still and movement artists : a thesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand

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dc.contributor.authorWalmsley, Celia Kathryn
dc.date.accessioned2018-05-09T02:47:24Z
dc.date.available2018-05-09T02:47:24Z
dc.date.issued2017
dc.description.abstract‘Attempting to capture this transience, this constant appearing and disappearing, through the medium of the still photograph might seem the epitome of oxymoronic endeavour’. Michael Parmenter. (Parmenter, M. in McDermott 2015. p6). An Oxymoronic Endeavour is the resulting artwork of a collaboration between photographer, Celia Walmsley, and New Zealand dancer/choreographer (dance maker), Jessie McCall. It combines two oxymoronic (apparently contradictory) art forms where one artist is also the subject of the resulting images. McCall and Walmsley co-author the development of the artwork and Walmsley is the author of the exegesis. Through this production collaboration Walmsley and McCall explored the oxymoronic relationship and use of photography and movement. The resulting artwork is not a recording of a performance that will be repeated. The choreography and performance occurred only for the purpose of creating the images and exist only in the resulting ‘performative’ (Baker. S. & Moran. F. 2016) photographic work and its associated writing. The work breaks with the traditional style of dance photography, and with the conventional role of ‘still’ photography in relation to dance, as the ‘revelatory authority’ (the power of the camera to show what has been) of other artists’ work. (Reason. M. 2004). Use of and the critique of, collaboration and co-authorship are essential elements in the artwork’s process, form and outcomes. This reflects Daniel Palmer’s (2017) proposal on the move away, since the 1960s, from the ‘art-world trope’ of sole adventurer photographer towards collaborative work. Issues of agency, power, and the link between authorship and authority, also influenced the work. Through the essential component of collaboration An Oxymoronic Endeavour developed into ‘performative’ photography between photographer and choreographer/dance artist. The work contributes to the sparsely populated field of collaborative ‘performative’ photography which also represents a paradigm shift in the way that photography and dance are created, presented and consumed.en_US
dc.identifier.urihttp://hdl.handle.net/10179/13342
dc.language.isoenen_US
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectCelia Kathryn Walmsleyen_US
dc.subjectCriticism and interpretationen_US
dc.subjectDance photographyen_US
dc.subjectPhotography, Artisticen_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.titleThe epitome of an oxymoronic endeavour : collaborative performative photography between still and movement artists : a thesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealanden_US
dc.typeThesisen_US
massey.contributor.authorWalmsley, Celia Kathryn
thesis.degree.disciplineFine Artsen_US
thesis.degree.grantorMassey Universityen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Fine Arts (MFA)en_US
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