Roger Hall : prisoner of Mother England : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in English at Massey University

dc.contributor.author	Knowles, Ian
dc.date.accessioned	2018-06-26T01:21:05Z
dc.date.available	2018-06-26T01:21:05Z
dc.date.issued	2003
dc.description.abstract	For nearly thirty years Roger Hall has been a dominant figure in New Zealand theatre. His plays have been enthusiastically received and the new audience he has attracted into the theatre in large numbers has made a major contribution to the survival of both amateur and professional theatre in this country. However critical opinion has been divided and has not always reflected popular acclaim. Theatre critics, largely, have been more generous than professional critics who, while appreciating the qualities of his first five plays, appear to have found less of significant interest in his later work. In this thesis I consider Hall's plays written for theatre performance and suggest some reasons for the neglect of the professional critics.	en_US
dc.identifier.uri	http://hdl.handle.net/10179/13558
dc.language.iso	en	en_US
dc.publisher	Massey University	en_US
dc.rights	The Author	en_US
dc.subject	Hall, Roger 1939	en_US
dc.subject	Criticism interpretation	en_US
dc.title	Roger Hall : prisoner of Mother England : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in English at Massey University	en_US
dc.type	Thesis	en_US
massey.contributor.author	Knowles, Ian
thesis.degree.discipline	English	en_US
thesis.degree.grantor	Massey University	en_US
thesis.degree.level	Masters	en_US
thesis.degree.name	Master of Arts (M.A.)	en_US

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