Painting from the Holocaust's barbaric periphery : a personal journey : an exegesis submitted in partial fulfilment of the requirements for the degree of Master of Fine Arts Massey University, Wellington, New Zealand

dc.contributor.authorForster, Michelanne
dc.date.accessioned2022-07-06T23:02:19Z
dc.date.available2022-07-06T23:02:19Z
dc.date.issued2021
dc.description.abstractThis exegesis examines my personal response to the Holocaust through the medium of expressionist painting. I identify myself as the daughter of a Holocaust survivor, and an immigrant to New Zealand. I discuss the concepts of “post-memory”, “vicarious past” and “intergenerational trauma” and question the moral right to make art out of other people's suffering. I discuss the tensions inherent in living and working in New Zealand, a country at a far geographical and cultural remove from the Holocaust, and reflect on how this affects my work in terms of memory, imagination, and style. I demonstrate the way Jewish artists Chaim Soutine, Marc Chagall, Charlotte Solomon, Abraham Rattner, and Hyman Bloom influenced my search for a personal painting language. I link my practice to other Jewish immigrant artists who fled Europe during the Nazi regime, and site myself in what Sidra DeKovan Ezrahi calls the “barbaric periphery” of the Shoah (Ezrahi qtd. in Katz-Freidman 119).en
dc.identifier.urihttp://hdl.handle.net/10179/17282
dc.language.isoenen
dc.publisherMassey Universityen
dc.rightsThe Authoren
dc.subjectForster, Michelanneen
dc.subjectCriticism and interpretationen
dc.subject.anzsrc360602 Fine artsen
dc.titlePainting from the Holocaust's barbaric periphery : a personal journey : an exegesis submitted in partial fulfilment of the requirements for the degree of Master of Fine Arts Massey University, Wellington, New Zealanden
dc.typeThesisen
massey.contributor.authorForster, Michelanne
thesis.degree.disciplineFine Artsen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Fine Arts (MFA)en
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