Te urunga mai o te tāhuhu kōrero toi o Ruatepupuke : the origins of whakairo based on the historical accounts of Te Tairāwhiti : a thesis presented in partial fulfilment of the requirements for the degree of Masters of Māori Visual Arts at Massey University, Palmerston North, New Zealand. EMBARGOED to 15th June 2028.

Abstract

Te urunga mai o te tāhuhu kōrero toi o Ruatepupuke investigates the origins of whakairo based on the historical accounts of Te Tairāwhiti. Essentially, this thesis focuses on Te Tairāwhiti cosmology, geography, and genealogy in order to trace and identify how these particular elements underpin Te Tairāwhiti tribal identity, history, and traditions with a key focus on whakairo. The relevance of whakapapa in this study is central because Te Tairāwhiti whakairo traditions have their origin in atua Māori. For this reason, the methodological approach draws on kaupapa Māori research and principles to demonstrate mātauranga Māori epistemology. The creative component of this study reflects the research of each of the elements and presents them in whakairo rākau (woodcarving) form. Te urunga tū (the artistic piece) is comprised of seven individual parts that are intended to fit together to represent the embodiments of the forementioned elements. The exhibition and analysis reflects my thoughts around choices of exhibition location, art piece title, instalment, and personal and public reflections and engagement. The report concludes by highlighting how this project contributes to a clearer understanding of the philosophical aspects that underpin my art form, as well as acknowledging how historical knowledge lives on and contributes to contemporary art forms.