Towards a natural history of film form: silver salts and the aesthetics of early studio-era Hollywood cinema
| dc.citation.issue | 3 | |
| dc.citation.volume | 64 | |
| dc.contributor.author | Duncan P | |
| dc.date.available | 2022 | |
| dc.date.issued | 6/12/2022 | |
| dc.description | CAUL read and publish agreement 2023 | |
| dc.description.confidential | FALSE | |
| dc.format.extent | 411 - 426 | |
| dc.identifier | 1 | |
| dc.identifier.citation | Screen (Oxford), 2022, 64 (3), pp. 411 - 426 | |
| dc.identifier.doi | 10.1093/screen/hjac041 | |
| dc.identifier.elements-id | 449140 | |
| dc.identifier.harvested | Massey_Dark | |
| dc.identifier.issn | 0036-9543 | |
| dc.identifier.uri | https://hdl.handle.net/10179/17938 | |
| dc.language | English | |
| dc.publisher | Oxford University Press on behalf of Screen | |
| dc.relation.isPartOf | Screen (Oxford) | |
| dc.subject.anzsrc | 1902 Film, Television and Digital Media | |
| dc.title | Towards a natural history of film form: silver salts and the aesthetics of early studio-era Hollywood cinema | |
| dc.type | Journal article | |
| pubs.notes | Not known | |
| pubs.organisational-group | /Massey University | |
| pubs.organisational-group | /Massey University/College of Humanities and Social Sciences | |
| pubs.organisational-group | /Massey University/College of Humanities and Social Sciences/School of Humanities, Media & Creative Communication |
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