Journal Articles

Permanent URI for this collectionhttps://mro.massey.ac.nz/handle/10179/7915

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    Seven theses about the so-called culture war(s) (or some fragmentary notes on ‘cancel culture’)
    (1/01/2023) Phelan S
    How might we understand the forms of mediatized politics that are signified under the dreary heading of the ‘culture war(s)’? This article addresses this question in the form of seven theses. Informed by a distinct theoretical reading of Laclau and Mouffe’s concept of antagonism, I highlight the anti-political character of culture war discourses, particularly as amplified in a public culture dominated by the social media industry. The seven theses are prefaced by an overview of the category of ‘cancel culture’, in light of its recent prominence as an object of culture war discourse. I highlight the primary role of far-right actors in the normalization of culture-war conflicts that persecute different identities, but also critique the online left’s entanglement in sedimented antagonisms that primarily benefit reactionary actors. The theses stress the repressive effects of culture war discourses on our collective political imagination. They redescribe some of the fault lines of a familiar terrain by thematizing the differences between a moralized and radical democratic understanding of political antagonism.
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    Review of Richard Seymour’s The Twittering Machine
    (10/06/2020) Phelan S
    In his most explicitly philosophical book Pascalian Meditations, Pierre Bourdieu (2000) clarified what he meant by the notion of symbolic violence. Symbolic violence signifies more than simply forms of discursive power that mediate social relationships without the imposition of physical force. Rather, it signifies a form of violence that the target of the violence is themselves complicit in. “Symbolic power is exerted only with the collaboration of those who undergo it because they help to construct it as such” (p. 171).
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    Media critique in a very online world
    (3/02/2021) Phelan S