Journal Articles
Permanent URI for this collectionhttps://mro.massey.ac.nz/handle/10179/7915
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Item Patient-provider power relations in counselling on long-acting reversible contraception: a discursive study of provider perspectives(Taylor and Francis Group, 2022-05-06) Morison TContraceptive providers play an essential role in shaping contraceptive decision-making and care, with the potential to constrain patients' agency. This is a particular concern given the rising hegemony of Long-Acting Reversible Contraception (LARC) and growing evidence of negative patient experiences of LARC promotion and provision. Despite this evidence, little research has considered health providers' perspectives. Drawing on interviews with 22 contraceptive health providers in Aotearoa New Zealand, this paper explored their professional identity construction, focusing on meaning-making in instances of conflict between providers' and patients' priorities and agendas. Guided by feminist poststructuralist theory, the discursive analysis highlights common rhetorical strategies used by participants to (1) justify the use of coercive practices to encourage LARC uptake, and (2) in turn, negotiate positive identities. Findings show how participants grapple with the reproductive politics structuring contraceptive care, including established understandings of the purpose of (long-acting) contraception and contraceptive providers' roles vis-à-vis provision and promotion. The findings point to limitations on contraceptive agency, despite the unanimous endorsement of rights-based voluntary care. Extending the critical literature on LARC and contributing to the under-researched area of contraceptive coercion and agency, the findings of this study have important implications for the delivery of contraceptive care.Item Seven theses about the so-called culture war(s) (or some fragmentary notes on ‘cancel culture’)(1/01/2023) Phelan SHow might we understand the forms of mediatized politics that are signified under the dreary heading of the ‘culture war(s)’? This article addresses this question in the form of seven theses. Informed by a distinct theoretical reading of Laclau and Mouffe’s concept of antagonism, I highlight the anti-political character of culture war discourses, particularly as amplified in a public culture dominated by the social media industry. The seven theses are prefaced by an overview of the category of ‘cancel culture’, in light of its recent prominence as an object of culture war discourse. I highlight the primary role of far-right actors in the normalization of culture-war conflicts that persecute different identities, but also critique the online left’s entanglement in sedimented antagonisms that primarily benefit reactionary actors. The theses stress the repressive effects of culture war discourses on our collective political imagination. They redescribe some of the fault lines of a familiar terrain by thematizing the differences between a moralized and radical democratic understanding of political antagonism.Item What does it mean to be ‘porn literate’? Perspectives of young people, parents and teachers in Aotearoa New Zealand(Taylor and Francis Group, 5/04/2023) Healy-Cullen S; Morison T; Taylor J; Taylor KPorn literacy education is a pedagogical strategy responding to youth engagement with pornography through digital media. The approach is intended to increase young people's knowledge and awareness regarding the portrayal of sexuality in Internet pornography. However, what being 'porn literate' entails, and what a porn literacy education curricula should therefore include, is not a settled matter. Recognising the importance of end-user perspectives, 24 semi-structured interviews were conducted with parents, teachers and young people in Aotearoa (New Zealand) and analysed via critical, constructionist thematic analysis. Participants drew on a developmentalist discourse and a discourse of harm to construct porn literacy education as a way to inoculate young people against harmful effects, distortions of reality, and unhealthy messages. In addition to this dominant construction of porn literacy education, we identified talk that to some extent resisted these dominant discourses. Building on these instances of resistance, and asset-based constructions of youth based on their agency and capability, we point to an ethical sexual citizenship pedagogy as an alternative approach to porn literacy education.Item Shameful sins: a Reaction to Capitalist Ethics in No quiero quedarme sola y vacía (2006)(Purdue University Press, 14/12/2018) Bortolotto M; Chen, F-JIn her article “A Sinful Reaction to Capitalist Ethics in No quiero quedarme sola y vacía (2006)” María Celina Bortolotto analyzes how Lozada’s characterization of the main character, La Loca, questions the ideals of free agency offered by consumerist capitalism and the urban gay male ideal under the promise of a liberating gay lifestyle in a social context defined by identity politics. The novel is a fictionalized autobiographical account of Puerto Rican author Angel Lozada’s misadventures in the early 2000s gay scene in New York. This essay plays with the punitive sense of the word “capital” in the seven capital sins as a thematic thread to invite a reflection on the concepts of virtue and value constructed under U.S. Protestant capitalism: the former as emancipatory guilt; the latter as the specific status society grants to objects, practices and people creating, in turn, subjects whose value is purely economic versus those whose lives are deemed (morally) valuable in themselves.Item Editorial, Special Issue: music/media/politics(1/03/2015) Wilson OR; Overell RItem Access, Place and Australian Live Music(2016-06) Carter D; Whiting SItem Introduction (Vol. 17 No. 2)(Equinox Publishing, 7/03/2017) Wilson ORItem Diminishing Dreams: The Scoping Down of the Music NFT(M/C - Media and Culture, 4/04/2022) Rogers I; Carter D; Morgan BA; Edington AIn a 2019 report for the International Journal of Communication, Baym et al. positioned distributed blockchain ledger technology, and what would subsequently be referred to as Web3, as a convening technology. Riffing off Barnett, a convening technology “initiates and serves as the focus of a conversation that can address issues far beyond what it may ultimately be able to address itself” (403). The case studies for the Baym et al. research—early, aspirant projects applying the blockchain concept to music publishing and distribution—are described in the piece as speculations or provocations concerning music’s commercial and social future. What is convened in this era (pre-2017 blockchain music discourse and practice) is the potential for change: a type of widespread, broadly discussed, reimagination of the 21st-century music industries, productive precisely because near-future applications suggest the realisation of what Baym et al. call dreams. In this article, we aim to examine the Web3 music field as it lies some years later. Taking the latter half of 2021 as our subject, we present a survey of where music then resided within Web3, focussing on how the dreams of Baym et al. have morphed and evolved, and materialised and declined, in the intervening years. By investigating the discourse and functionality of 2021’s current crop of music NFTs—just one thread of music Web3’s far-reaching aspiration, but a potent and accessible manifestation nonetheless—we can make a detailed analysis of concept-led application. Volatility remains throughout the broader sector, and all of the projects listed here could be read as conditionally short-term and untested, but what they represent is a series of clearly evolved case studies of the dream, rich precisely because of what is assumed and disregarded.Item Editorial: Surveillance, copyright, privacy(Media NZ, 1/12/2014) Farnsworth J; Fisher K; Pearson EE
