Journal Articles
Permanent URI for this collectionhttps://mro.massey.ac.nz/handle/10179/7915
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Item ‘Listening closely’ to mediated intimacies and podcast intimacies in Song Exploder(1/08/2023) Clarke K; Bjork CIntimacy is an important and growing concept in both media studies and podcast studies. But research regarding intimacies in both disciplines has yet to fully account for the connection between sound and normativity, which is essential to podcasting and important to mediated intimacies more broadly. In this article, we mobilise scholarship from these two fields to analyse the award-winning music podcast Song Exploder. Our study highlights that attending to intimacies in podcasting involves both analysing how the story structure aligns with social norms and listening critically to the ways the sound design and audio editing complements and complicates these intimate stories. We contend that identifying the intersection of sound and normativity in this podcast contributes to understanding the cultural work of podcasting and underscores the key role of sound in mediated intimacies.Item Multiplicities and the subject: Rethinking a mix-of-attributes approach in the digital world(University of Southern California, Annenberg School for Communication & Journalism, 1/01/2015) Pearson EE; Elliot GIt has been 30 years since Clark made his call to focus on fundamental structures of media rather than media formats (such as radio or television) and more than 10 years since Eveland proposed a mix-of-attributes approach to media effects. This article suggests that it is time for a reevaluation of the mix-of-attributes approach, noting that there is a continued focus on format when studying media content. We argue for rethinking the assumptions that preempt a mix-of-attributes approach. As a way of accounting for the complexities of how messages move in the digital media ecology, beyond the constraints of singular media formats, we first invoke the concept of multiplicities (concurrent engagement with multiple information sources) and then propose that the role of the subject be foregrounded within a revised mix-of-attributes approach to studying media effects in the digital age.Item Editorial, Special Issue: music/media/politics(1/03/2015) Wilson OR; Overell RItem Access, Place and Australian Live Music(2016-06) Carter D; Whiting SItem The betrayals of Rainer Werner Fassbinder’s Querelle (1982)(2016-03) Henry CItem The morality and political antagonisms of neoliberal discourse: Campbell Brown and the dorporatization of educational justice(University of Southern California, 2017) Salter LS; Phelan SPNeoliberalism is routinely criticized for its moral indifference, especially concerning the social application of moral objectives. Yet it also presupposes a particular moral code, where acting on the assumption of individual autonomy becomes the basis of a shared moral-political praxis. Using a discourse theoretical approach, this article explores different articulations of morality in neoliberal discourse. We focus on the case of Campbell Brown, the former CNN anchor who reinvented herself from 2012 to 2016 as a prominent charter school advocate and antagonist of teachers unions. We examine the ideological significance of a campaigning strategy that coheres around an image of the moral superiority of corporatized schooling against an antithetical representation of the moral degeneracy of America’s public schools system. In particular, we highlight how Brown attempts to incorporate the fragments of different progressive discourses into a neoliberalized vision of educational justice.Item Diminishing Dreams: The Scoping Down of the Music NFT(M/C - Media and Culture, 4/04/2022) Rogers I; Carter D; Morgan BA; Edington AIn a 2019 report for the International Journal of Communication, Baym et al. positioned distributed blockchain ledger technology, and what would subsequently be referred to as Web3, as a convening technology. Riffing off Barnett, a convening technology “initiates and serves as the focus of a conversation that can address issues far beyond what it may ultimately be able to address itself” (403). The case studies for the Baym et al. research—early, aspirant projects applying the blockchain concept to music publishing and distribution—are described in the piece as speculations or provocations concerning music’s commercial and social future. What is convened in this era (pre-2017 blockchain music discourse and practice) is the potential for change: a type of widespread, broadly discussed, reimagination of the 21st-century music industries, productive precisely because near-future applications suggest the realisation of what Baym et al. call dreams. In this article, we aim to examine the Web3 music field as it lies some years later. Taking the latter half of 2021 as our subject, we present a survey of where music then resided within Web3, focussing on how the dreams of Baym et al. have morphed and evolved, and materialised and declined, in the intervening years. By investigating the discourse and functionality of 2021’s current crop of music NFTs—just one thread of music Web3’s far-reaching aspiration, but a potent and accessible manifestation nonetheless—we can make a detailed analysis of concept-led application. Volatility remains throughout the broader sector, and all of the projects listed here could be read as conditionally short-term and untested, but what they represent is a series of clearly evolved case studies of the dream, rich precisely because of what is assumed and disregarded.Item Friendship isn’t an emotion fucknuts: Manipulating affective materiality to shape the experience of Homestuck’s story(SAGE Publications, 20/06/2017) Veale KRHomestuck is a textual and experiential chameleon that manipulates its own structure to shape the audience’s affective experience of the story by mimicking not just the storytelling techniques of other media forms, but their modes of engagement as well. This article introduces terminology to illustrate how and why the online serial Homestuck qualifies as a distinctive form of storytelling. I introduce the term transmodal engagement to illustrate how Homestuck uses the affective, experiential affordances of different media forms to sculpt and shape the experience of the text in completely different ways to ‘transmedia’ storytelling. The second term this article introduces is metamedia storytelling, which describes how the audience’s familiarity with storytelling across multiple media forms can be used to manipulate their experience of fiction. Homestuck deploys metamedia storytelling to continually destabilise the reader’s understanding of the text and their investments in the storyworld by forcing re-evaluations of not just what is happening, but what kind of mediated relationship the readers have with the content of the story.Item Editorial: Surveillance, copyright, privacy(Media NZ, 1/12/2014) Farnsworth J; Fisher K; Pearson EEItem The Len Brown affair: The roles of new and old media in a New Zealand political sex scandal(Auckland University of Technology, School of Communication Studies, Pacific Media Centre, 2017-01) Hannis GDThe power of online media to influence New Zealand local government politics was made clear in 2013 when a blogger revealed that Len Brown, the popular mayor of Auckland, had conducted a two-year, extramarital affair. The mainstream media picked up the story, Brown’s popularity collapsed and in late 2015 he announced he would not stand again for mayor. This media scandal was, in part, driven by the fact that Brown was a celebrity. Unlike several high-profile sex scandals involving politicians overseas, Brown’s career did not survive the controversy, perhaps because the public came to regard him as a practised liar. The media itself engaged in self-serving scandalous activity during the controversy. Today’s shock bloggers are similar to the proto-journalists of the 17th century. Members of new and old media researching the scandal treated their secret sources very differently. The existence of the internet means such scandals can now exist in perpetuity. If the Len Brown Affair was an example of the media fulfilling its watchdog role - by exposing a lying politician - it was also an example of journalists furthering their own ends - political and commercial - by appealing to their audiences’ purient interests.
