Show simple item record

dc.contributor.authorJoyce-Kellaway, Katherine May
dc.date.accessioned2013-05-19T21:51:20Z
dc.date.available2013-05-19T21:51:20Z
dc.date.issued2013
dc.identifier.urihttp://hdl.handle.net/10179/4473
dc.description.abstractMy research critiques our visual and word-centric world through immersive installation environments. It explores our bodies’ sensory perceptual capabilities by creating new ways of experiencing the world through its somatic intelligence. By fabricating an environment that promotes subtle disorientations of a person[']s proprioception and simultaneously provoking a sensuous joyous response this slide between comfort and discomfort aspires to reinvigorate an old language - that of the gut. Only by being actively immersed in the work can these experiences be realized. This exegesis gives an understanding of the sources and processes in creating the work.en
dc.language.isoenen
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectArt installationsen
dc.subjectSensory perceptionen
dc.subjectProprioceptionen
dc.subjectSpatial perceptionen
dc.subjectSomaesthetics
dc.subjectLake Grassmere saltworks
dc.titleBody over mind : 'no body, never mind' : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealanden
dc.typeThesisen
thesis.degree.grantorMassey Universityen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Fine Arts (M.F.A.)en


Files in this item

Icon
Icon
Icon

This item appears in the following Collection(s)

Show simple item record