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    The cinematic aspects of electroacoustic music : a thesis submitted to Massey University and Victoria University of Wellington in fulfillment of the requirements for the degree of Master of Music in Composition, New Zealand School of Music

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    Abstract
    This portfolio explores ‘the cinematic aspects of electroacoustic music’ by way of three compositional contexts: acousmatic composition drawing on filmic resources, electroacoustic soundtracks for short films, and the narrative and imagic aspects of archival recordings. Additionally, a research report provides commentary on the aesthetic and methodological aspects of the portfolio.
    Date
    2010
    Author
    Taylor, Sarah Elizabeth
    Rights
    The Author
    Publisher
    Massey University
    URI
    http://hdl.handle.net/10179/4529
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