The cinematic aspects of electroacoustic music : a thesis submitted to Massey University and Victoria University of Wellington in fulfillment of the requirements for the degree of Master of Music in Composition, New Zealand School of Music

dc.contributor.author	Taylor, Sarah Elizabeth
dc.date.accessioned	2013-05-27T21:57:43Z
dc.date.available	2013-05-27T21:57:43Z
dc.date.issued	2010
dc.description.abstract	This portfolio explores ‘the cinematic aspects of electroacoustic music’ by way of three compositional contexts: acousmatic composition drawing on filmic resources, electroacoustic soundtracks for short films, and the narrative and imagic aspects of archival recordings. Additionally, a research report provides commentary on the aesthetic and methodological aspects of the portfolio.	en
dc.identifier.uri	http://hdl.handle.net/10179/4529
dc.language.iso	en	en
dc.publisher	Massey University	en_US
dc.rights	The Author	en_US
dc.subject	Electronic music	en
dc.subject	Computer music	en
dc.subject	Motion picture music	en
dc.subject	Short films	en
dc.subject	New Zealand	en
dc.subject	20th century	en
dc.subject	Auditory perception	en
dc.subject	Music	en
dc.subject	Philosophy and aesthetics	en
dc.title	The cinematic aspects of electroacoustic music : a thesis submitted to Massey University and Victoria University of Wellington in fulfillment of the requirements for the degree of Master of Music in Composition, New Zealand School of Music	en
dc.type	Thesis	en
massey.contributor.author	Taylor, Sarah Elizabeth	en
thesis.degree.discipline	Composition	en
thesis.degree.grantor	New Zealand School of Music	en
thesis.degree.level	Masters	en
thesis.degree.name	Master of Music (M.Mus.)	en