The cinematic aspects of electroacoustic music : a thesis submitted to Massey University and Victoria University of Wellington in fulfillment of the requirements for the degree of Master of Music in Composition, New Zealand School of Music
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Date
2010
DOI
Open Access Location
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Publisher
Massey University
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Abstract
This portfolio explores ‘the cinematic aspects of electroacoustic music’ by way of three
compositional contexts: acousmatic composition drawing on filmic resources,
electroacoustic soundtracks for short films, and the narrative and imagic aspects of
archival recordings. Additionally, a research report provides commentary on the
aesthetic and methodological aspects of the portfolio.
Description
Keywords
Electronic music, Computer music, Motion picture music, Short films, New Zealand, 20th century, Auditory perception, Music, Philosophy and aesthetics