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dc.contributor.authorIrving, Melissa
dc.date.accessioned2013-06-10T23:50:21Z
dc.date.available2013-06-10T23:50:21Z
dc.date.issued2013
dc.identifier.urihttp://hdl.handle.net/10179/4584
dc.description.abstractThis thesis explores how video documentation can reveal and transcend the distance in time and space between the event of a recording of a performance and the secondary audience, creating an awareness of the processes undertaken. It discusses the ontology of the camera camera [sic] operator in duality with site responsivity and the challenge generated by displacing a movement discipline.en
dc.language.isoenen
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectExperimental filmsen
dc.subjectPerformance on videoen
dc.subjectPerformance and audienceen
dc.subjectVideo art installationen
dc.titleCapacity for an inadequacy : a discussion of the performative body in video space : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealanden
dc.typeThesisen
thesis.degree.grantorMassey Universityen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Fine Arts (M.F.A.)en


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