Performing Te Whare Tapa Whā: Cultural Rights and Decolonising Corrections

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Date
2021-08
DOI
10.1080/13569783.2021.1940121
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Authors
Hazou R
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Journal ISSN
Volume Title
Publisher
Taylor and Francis Group
Rights
CC BY-NC CC BY-NC-ND
https://creativecommons.org/licenses/by/4.0/
Abstract
Ngā Pātū Kōrero: Walls That Talk (2019) is a documentary theatre production staged by incarcerated men at Unit 8 Te Piriti at Auckland Prison in Aotearoa New Zealand. The performance was built around Te Whare Tapa Whā (The House of Four Sides) – a model of Māori health that participants engaged with as part of their therapy for being convicted of sex offences. This article discusses the use of masks in performance and the significance of Te Whare Tapa Whā as a dramaturgical device. What insights for decolonising prison theatre practices can be advanced by building on foundations of cultural rights?
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Keywords
Applied theatre, prison theatre, sex offender treatment, decolonising methodologies, Maori knowledge
Citation
RIDE-THE JOURNAL OF APPLIED THEATRE AND PERFORMANCE, 2021, 26 (3), pp. 494 - 510
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