Of the crowd : miniature, memento, and miscommunication in the painting of portraits : an exegesis presented in partial fulfilment of the requirements for the degree in Master of Fine Arts at Massey University, Wellington, New Zealand

dc.contributor.author	Glass, Georgia
dc.date.accessioned	2018-05-02T21:16:46Z
dc.date.available	2018-05-02T21:16:46Z
dc.date.issued	2017
dc.description.abstract	The project described in this exegesis was completed between April and November of 2017. One hundred and twenty-nine people, unknown to the artist, answered a call for participation via poster and each submitted a portrait photograph on the promise that it would be painted in miniature and then gifted back to them. It was an exchange that hoped to slow down some of the split-second interactions we usually have with the unknown people around us. The projects methodology was constructed in order to query what really separates us as strangers.	en_US
dc.identifier.uri	http://hdl.handle.net/10179/13294
dc.language.iso	en	en_US
dc.publisher	Massey University	en_US
dc.rights	The Author	en_US
dc.subject	Georgia Glass	en_US
dc.subject	Criticism and interpretation	en_US
dc.subject	Portrait miniatures	en_US
dc.subject	Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art	en_US
dc.title	Of the crowd : miniature, memento, and miscommunication in the painting of portraits : an exegesis presented in partial fulfilment of the requirements for the degree in Master of Fine Arts at Massey University, Wellington, New Zealand	en_US
dc.type	Thesis	en_US
massey.contributor.author	Glass, Georgia
thesis.degree.discipline	Fine Arts	en_US
thesis.degree.grantor	Massey University	en_US
thesis.degree.level	Masters	en_US
thesis.degree.name	Master of Fine Arts (MFA)	en_US

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