Colonial discourses of deviance and desire and the bodies of wāhine Māori : a thesis presented in fulfillment of the requirements for the degree of Doctor of Philosophy in Creative Arts at Massey University, Manawatū, New Zealand
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2024
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Massey University
Figures are reproduced with permission.
Figures are reproduced with permission.
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Abstract
This research traces how colonial ideologies of race, gender, and sexuality contributed to nineteenth and early twentieth-century representations of wāhine Māori and questions how these repetitive inscriptions might continue to have a negative impact on perceptions of wāhine Māori and kōtiro Māori in contemporary culture. As a Mana Wahine study, I demonstrate that fundamental codes of the developing colonial state were affirmed by how Pākehā guarded sexuality, ordered gender, and surveilled race. As a wahine Māori centred project, it examines the colonial dimensions of “domesticity,” the “civilising mission,” and the ‘paternalism of liberalism’ in Aotearoa/New Zealand, specifically, on the assumption that differentiations of race and colonial power were essentially ordered in terms of Western notions of gender. Of particular concern is the management of wāhine Māori sexuality, procreation, child-rearing, and marriage as a mechanism of colonial control of their bodies. Focusing on spaces of perceived proximity and desire as a source from which we can search for newly recognisable forms of social perceptions in relating, it offers an engagement with myriad forms of art across multidisciplinary fields to provide a unique window into a colonial exercise of the imperial project that had a direct impact on the bodies of wāhine Māori. A critical examination of the colonial metaphors around desire and degeneration, of the intimate and affect, attempts to decolonise its representative paradigms by addressing the consequential structural and material histories that, for wāhine Māori, resulted in meting out differential futures based on ‘fabulated’ divisions of worth, prompting the central questions of the dissertation, how are bodies similar or not? How are bodies available or not? How are bodies knowable or not? And to whom?
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Women, Māori, Violence against, Social conditions, 19th century, Human body, Social aspects, Symbolic aspects, Cross-cultural studies, Māori (New Zealand people), History, In art, Representation (Philosophy), Ethnic attitudes in art, Wāhine, Mana wahine, Tinana, Whakaahua, Tūkinotanga, Taipūwhenuatanga, wāhine Māori, colonial ideologies, domestic, intergenerational trauma, mamae, indigenous wellbeing, desire, deviance, affect, sexuality, race, gender, Māori Doctoral Thesis