Colonial discourses of deviance and desire and the bodies of wāhine Māori : a thesis presented in fulfillment of the requirements for the degree of Doctor of Philosophy in Creative Arts at Massey University, Manawatū, New Zealand

dc.confidentialEmbargo : No
dc.contributor.advisorJahnke, Robert
dc.contributor.authorAllen, Elizabeth Anne
dc.date.accessioned2024-08-20T23:06:56Z
dc.date.available2024-08-20T23:06:56Z
dc.date.issued2024
dc.description.abstractThis research traces how colonial ideologies of race, gender, and sexuality contributed to nineteenth and early twentieth-century representations of wāhine Māori and questions how these repetitive inscriptions might continue to have a negative impact on perceptions of wāhine Māori and kōtiro Māori in contemporary culture. As a Mana Wahine study, I demonstrate that fundamental codes of the developing colonial state were affirmed by how Pākehā guarded sexuality, ordered gender, and surveilled race. As a wahine Māori centred project, it examines the colonial dimensions of “domesticity,” the “civilising mission,” and the ‘paternalism of liberalism’ in Aotearoa/New Zealand, specifically, on the assumption that differentiations of race and colonial power were essentially ordered in terms of Western notions of gender. Of particular concern is the management of wāhine Māori sexuality, procreation, child-rearing, and marriage as a mechanism of colonial control of their bodies. Focusing on spaces of perceived proximity and desire as a source from which we can search for newly recognisable forms of social perceptions in relating, it offers an engagement with myriad forms of art across multidisciplinary fields to provide a unique window into a colonial exercise of the imperial project that had a direct impact on the bodies of wāhine Māori. A critical examination of the colonial metaphors around desire and degeneration, of the intimate and affect, attempts to decolonise its representative paradigms by addressing the consequential structural and material histories that, for wāhine Māori, resulted in meting out differential futures based on ‘fabulated’ divisions of worth, prompting the central questions of the dissertation, how are bodies similar or not? How are bodies available or not? How are bodies knowable or not? And to whom?
dc.identifier.urihttps://mro.massey.ac.nz/handle/10179/71346
dc.publisherMassey Universityen
dc.publisherFigures are reproduced with permission.en
dc.rightsThe Authoren
dc.subjectWomen, Māorien
dc.subjectViolence againsten
dc.subjectSocial conditionsen
dc.subject19th centuryen
dc.subjectHuman bodyen
dc.subjectSocial aspectsen
dc.subjectSymbolic aspectsen
dc.subjectCross-cultural studiesen
dc.subjectMāori (New Zealand people)en
dc.subjectHistoryen
dc.subjectIn arten
dc.subjectRepresentation (Philosophy)en
dc.subjectEthnic attitudes in arten
dc.subjectWāhine
dc.subjectMana wahine
dc.subjectTinana
dc.subjectWhakaahua
dc.subjectTūkinotanga
dc.subjectTaipūwhenuatanga
dc.subjectwāhine Māori
dc.subjectcolonial ideologies
dc.subjectdomestic
dc.subjectintergenerational trauma
dc.subjectmamae
dc.subjectindigenous wellbeing
dc.subjectdesire
dc.subjectdeviance
dc.subjectaffect
dc.subjectsexuality
dc.subjectrace
dc.subjectgender
dc.subjectMāori Doctoral Thesis
dc.subject.anzsrc360699 Visual arts not elsewhere classified
dc.subject.anzsrc430313 History of empires, imperialism and colonialism
dc.titleColonial discourses of deviance and desire and the bodies of wāhine Māori : a thesis presented in fulfillment of the requirements for the degree of Doctor of Philosophy in Creative Arts at Massey University, Manawatū, New Zealanden
thesis.degree.disciplineCreative Arts
thesis.degree.nameDoctor of Philosophy
thesis.description.doctoral-citation-abridgedMs Allen's Mana Wahine research focused on how colonial ideologies contributed to early representations of wāhine Māori and questioned how these repetitive inscriptions might continue to impact wāhine Māori. Findings demonstrated that the role of representation in the framing of wāhine Māori through visual and symbolic ways continues to uphold and reproduce dominant colonial ideologies of race, gender, and sexuality, which degrade, undermine, and are both oppressive and violent to wāhine Māori.
thesis.description.doctoral-citation-longMs Allen's Mana Wahine research focused on how colonial ideologies of race, gender, and sexuality contributed to nineteenth and early twentieth-century representations of wāhine Māori and questions how these repetitive inscriptions might continue to have a negative impact on perceptions of wāhine Māori and kōtiro Māori in contemporary culture. Findings demonstrated that the role of representation in the framing of wāhine Māori through visual and symbolic ways continues to uphold and reproduce dominant colonial ideologies of race, gender, and sexuality, which degrade, undermine, and are both oppressive and violent to wāhine Māori.
thesis.description.name-pronounciationElizabeth Anne Allen

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