For the love of money : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand

dc.contributor.authorMillers, Jhana
dc.date.accessioned2013-05-20T21:29:56Z
dc.date.available2013-05-20T21:29:56Z
dc.date.issued2013
dc.description.abstractThis thesis is an investigation into the place of art in a world dominated by money and the role art plays in affecting change. By adopting interventionist strategies and adhering to the subtlety of the small gesture it highlights the irrational way value is constructed in our global capitalist society. The thesis places particular emphasis on participatory and interactive modes of practice as tools for critique in the pursuit of alternative systems of power, control and agency. How we might shift the way we operate within the difficult framework of a market-driven public discourse is a question to which it repeatedly returns.en
dc.identifier.urihttp://hdl.handle.net/10179/4487
dc.language.isoenen
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectMoneyen
dc.subjectArt and moneyen
dc.subjectValue of arten
dc.subjectArt installationsen
dc.titleFor the love of money : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealanden
dc.typeThesisen
massey.contributor.authorMillers, Jhanaen
thesis.degree.grantorMassey Universityen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Fine Arts (M.F.A.)en
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