Framing traces : exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand

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dc.contributor.authorSharples, Monique
dc.date.accessioned2019-11-14T21:04:21Z
dc.date.available2019-11-14T21:04:21Z
dc.date.issued2018
dc.description.abstractFraming Traces explores the way in which the physical object of the picture frame, in combination with site, becomes an object through which an individual could experience the past. This is achieved by playing with the relationship and balance between presence and absence. Visual cues from site, geographical location and the picture frame itself form conditions for viewer reflections. These are what make up the conditions of engagement. As the viewer selects, analyses and categorises aspects of these cues in the context of their own experiences, biases and emotions they are able to attach an idiomatic meaning to the picture frame. Through the writing component, the analysis of picture frames is located within a material culture framework. The personal and cultural layering within one's own interpretation and the coexistence of the two alongside place creation is considered in the authorship of the work.en_US
dc.identifier.urihttp://hdl.handle.net/10179/15036
dc.language.isoenen_US
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectPicture frames and framingen_US
dc.subjectExhibitionsen_US
dc.subjectSite-specific installations (Art)en_US
dc.subjectVisual perception in arten_US
dc.subjectSenses and sensation in arten_US
dc.subjectInteractive arten_US
dc.titleFraming traces : exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealanden_US
dc.typeThesisen_US
massey.contributor.authorSharples, Monique
thesis.degree.disciplineFine Artsen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Fine Arts (MFA)en_US
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