Journal Articles
Permanent URI for this collectionhttps://mro.massey.ac.nz/handle/10179/7915
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Item ‘Listening closely’ to mediated intimacies and podcast intimacies in Song Exploder(1/08/2023) Clarke K; Bjork CIntimacy is an important and growing concept in both media studies and podcast studies. But research regarding intimacies in both disciplines has yet to fully account for the connection between sound and normativity, which is essential to podcasting and important to mediated intimacies more broadly. In this article, we mobilise scholarship from these two fields to analyse the award-winning music podcast Song Exploder. Our study highlights that attending to intimacies in podcasting involves both analysing how the story structure aligns with social norms and listening critically to the ways the sound design and audio editing complements and complicates these intimate stories. We contend that identifying the intersection of sound and normativity in this podcast contributes to understanding the cultural work of podcasting and underscores the key role of sound in mediated intimacies.Item "‘Anybody May Look Smart!’: The Smart Aesthetic and Women Film Stars in 1930s Hollywood(Taylor and Francis Group, 3/04/2023) Duncan PAs Maria DiBattista has shown (2003, 332), the ascendance of figures like Rosalind Russell and Katharine Hepburn during Hollywood’s depression decade (1930–1939) marked the rise of a new breed of woman film star: the “smart girl.” These stars were smart in two senses. Yes, they were quick-witted and quick-tongued—proto-feminist fodder for the newly egalitarian vision of (re-)marriage peddled in 1930s screwball comedy. Yet they were also smart in a new, aesthetic sense, embodying a “smart aesthetic” that marked a shift away from the formal, affective, informational and gendered logics of glamour. For contemporary commentators on 1930s Hollywood, these stars’ smart mouths and their equally smart dresses were in clear accord—and, in part as a result of this apparent accord, the smart aesthetic earned a reputation as a progressive aesthetic formation that both expressed and reinforced the feminist potential of the new strain of “smart girls” on screen. This essay, however, complicates this view by at once elaborating and unpicking the links between these two registers of smartness. Through an analysis of the smart aesthetic as it emerged across coverage in 1930s fan periodicals, it contends that the smart aesthetic’s progressive promise may have been more apparent than actual.Item 'Just doing their job?' Journalism, online critique and the political resignation of Metiria Turei(SAGE Publications, 18/03/2019) Phelan S; Salter LAAbstract When Metiria Turei resigned as co-leader of the Green party of Aotearoa New Zealand in August 2017, there was clear disagreement about the role played by journalism in her resignation. The controversy began after Turei confessed to not disclosing full information to the authorities about her personal situation as a welfare recipient in the 1990s. Journalists insisted they were simply ‘doing their job’ by interrogating Turei’s story, while online supporters accused the media of hounding her. This article examines the media politics of the controversy by putting Carlson’s concept of metajournalistic discourse into theoretical conversation with Laclau and Mouffe’s discourse theory, especially their concept of antagonism. We explore what the case says about traditional journalistic authority in a media system where journalism is increasingly vulnerable to online critique from non-journalists.Item Journalism ‘fixers’, hyper-precarity and the violence of the entrepreneurial self(1/07/2023) Ashraf SI; Phelan SThe figure of the so-called journalism ‘fixer’ has received overdue academic attention in recent years. Scholars have highlighted the role played by fixers in international news reporting, a role historically obscured in the mythos of the Western foreign correspondent. Recent research has produced useful insights about the work done by fixers in ‘the shadows’ of the international news economy. However, it has also tended towards a domestication of the role, where the local ‘fixer’ finds their place in a collaborative relationship with those officially consecrated as ‘journalists’ from elsewhere. This article presents a critical theoretical analysis of this functional role, building on the image of the fixer as a kind of ‘entrepreneur’. Rather than interpreting the latter designation as a source of empowerment or agency, we approach it as a euphemism for the hyper-precarious and exploitative underpinnings of fixer-labour. Our argument draws on different theoretical sources, including Foucault-inspired work on the entrepreneurial rationality of the neoliberal self, Bourdieu’s notion of symbolic violence, and Rancière’s concept of politics. The theoretical argument is supported by the first author’s reflections of working as a Pakistani-based ‘fixer’ during the U.S-led war on terror.Item Draw a Thousand Words: Signification and Narration in Comics Images(2007) Postema BItem Multiplicities and the subject: Rethinking a mix-of-attributes approach in the digital world(University of Southern California, Annenberg School for Communication & Journalism, 1/01/2015) Pearson EE; Elliot GIt has been 30 years since Clark made his call to focus on fundamental structures of media rather than media formats (such as radio or television) and more than 10 years since Eveland proposed a mix-of-attributes approach to media effects. This article suggests that it is time for a reevaluation of the mix-of-attributes approach, noting that there is a continued focus on format when studying media content. We argue for rethinking the assumptions that preempt a mix-of-attributes approach. As a way of accounting for the complexities of how messages move in the digital media ecology, beyond the constraints of singular media formats, we first invoke the concept of multiplicities (concurrent engagement with multiple information sources) and then propose that the role of the subject be foregrounded within a revised mix-of-attributes approach to studying media effects in the digital age.Item Neoliberalism and authoritarian media cultures: a Vietnamese perspective(1/03/2022) Yến-Khanh N; Phelan S; Gray EThis study asks how the concept of neoliberalism can be adapted to a critical analysis of authoritarian political and media cultures that cannot be adequately understood through the Western-centric narratives that dominate the literature on neoliberalism. We examine the case of Vietnam, a country where the relationship between the media system and the political system is defined primarily by the power of the party-state autocracy. We explore the extent to which neoliberalism is a useful theoretical category for grasping the relationship between state, market, and civil society actors in Vietnam, especially as it relates to the media system. Supported by an analysis of how Vietnamese news media cover healthcare and education for people with autism, we conclude by extrapolating three theoretical-methodological guidelines that will be useful to researchers examining the relationship between neoliberalism and authoritarian political and media cultures in different countries.Item International study tours and public relations pedagogy: Insights from a practice-oriented approach(Public Relations Institute of Australia, 2020) Galloway C; Swiatek LPublic relations learning and teaching scholarship has been largely silent, to date, about international study tours as classroom-extending pedagogical initiatives. We address this gap in the literature by discussing two recent international tours built into a Master of Professional Public Relations degree. Melbourne, London and Singapore were the destinations of the first tour, while Dubai, Abu Dhabi and Singapore were the stops on the second. We use autoethnography to give voice to our experiences – including challenges and successes – as the study tour coordinators. We argue that such tours play an important role in helping students appreciate the wider factors that impact diverse public relations practices.Item A functional analysis of the 2012 Finnish Presidential elections.(Redfame Publishing, 2016) Paatelainen L; Croucher SM; Benoit WThis study applied the functional theory of political campaign discourse, developed for political campaigns in the United States to two televised presidential debates in the 2012 presidential elections in Finland. Acclaims were the most preferred statement by the candidates, with agreements being the least preferred. Policy was discussed more than character during the debates. General goals and ideals were used more frequently to acclaim than to attack. Results are generally consistent with the results of previous studies of presidential elections in the US and other countries. However, differences did emerge: the classical functional categories were supplemented by a new category, the role of the moderator as an attacker in the debate is emphasized, the significance of the diminishing role of the Finnish Presidency is of significance, and the fact that one of the two candidates was the first openly homosexual presidential candidate likely influenced the debates and the election.Item Decolonising public service television in Aotearoa New Zealand: telling better stories about Indigenous rurality(SAGE Publications, 25/10/2022) Fountaine S; Bulmer S; Palmer F; Chase LIn settler-colonial countries like Aotearoa New Zealand, television programmes about rurality are fundamentally entwined with the nation’s colonial history, but how this context impacts on locally made, public service television content and production is seldom examined. Utilising data collected from interviews with programme makers and a novel bi-cultural friendship pair methodology, we examine how a high-rating mainstream programme, Country Calendar, conceptualises and delivers stories about Indigenous Māori and consider the extent to which these stories represent a decolonising of television narratives about rurality. The findings highlight the importance of incorporating Indigenous voices and values, the impact of structural limitations and staffing constraints on public service television’s decolonising aspirations, and challenges reconciling settler-colonialism with the show’s well-established ‘rosy glow’. While rural media are often overlooked by communication scholars, our study demonstrates the contributions they might make to the larger task of decolonising storytelling about national identity.
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